Archive for May, 2007

Jungle Madness Friday - Carly Style

Friday, May 11th, 2007
Carly Icon

So we do this contest every week and it gets harder and harder to find giveaways. Luckily I’ve been collecting things over time for just this reason: so I have cool gifts :present: for you! I’ve been crazy busy and I have things piled up to mail out, so if you are waiting, forgive me!

As for today’s giveaway: A really cool Pink Aspen Tote from Bath and Body Works along with a signed hardcover of CROSS MY HEART (but I’m still going to beg the winner to spend the money on the paperback the first week of release!)

CROSS MY HEART will be in stores in paperback June 26th!

(This is the NEW paperback cover. Winner will get the old hardcover cover)
HAPPY FRIDAY … from Puerto Rico where I’m on vacation with my husband!!!!!

Mother’s Day Made Easy!

Thursday, May 10th, 2007
Janelle Icon

Mother’s Day is obviously about celebrating, and showing your love and appreciation for, your mother. And unfailingly, every year I find myself torn between how to divide my time, and Mother’s day, to accomodate my mother, and my husband’s mom. Never mind that I’M a mom and would just love to spend the day with MY family and kids, hanging out, going to my favorite restaurant, or seeing a movie together. It just never happens that way.

So, instead of feeling stressed about Mother’s Day this year and how I’m going to divide my time between my mother and mother-in-law, I decided to have them come to ME. I’m having a Mother’s Day brunch here at my house and I’m making quiche, wood-smoked bacon, potatoes, pastries, fresh fruit, and Mimosas. Sure, I’ll be doing most of the work (actually, Don’s the better cook, so he’ll be doing most of it!), but the best thing is, I won’t have to go ANYWHERE, because my mom and mother-in-law will be coming to my house. I can stay at home, relax, and enjoy the day at MY leisure! Now that’s my kind of Mother’s Day!

We all have mothers, or are mothers ourselves. So, how are planning on spending Mother’s Day?

Summer’s Comin’…

Wednesday, May 9th, 2007
Julie Icon

This summer, I have a lot to look forward to. First, I won’t be on a tight deadline. I’m on a deadline, but not a tight one…unless, of course, I futz around and don’t write steadily everyday, in which case, I’ll be back on a tight deadline (as is usually the case) by summer’s end. But I’m going to try really, really, really hard to write everyday for at least two hours…more, depending on what my daughter is up to that day.

Well, except for two weeks in July which will be a total bust. There’s the RWA conference. That always cuts into my writing time.

And then of course, there’s this:

Two weeks of Harry Potter bliss…the release of the movie and then the book. I don’t know what I’ll do with myself without Harry to look forward to after this…except, of course, at least there will be two more movies. Still…July will be all Harry, all the time.

And in August…I have this to look forward to:

Isn’t it scrumptious? The Art Director listened and did exactly the cover I suggested, all the way down to the bare-chested, buff guy (I didn’t request Ben Affleck bulked up, but hey, it could be worse) and her red gown and short hair. This is the first book in my St. Lyon Witches series for Harlequin. I’m so excited!

So…what are you looking forward to this summer???

Am I Not Enough?

Tuesday, May 8th, 2007
Carly Icon

A Note From Buddy:

My parents brought in a new puppy. Meet Bailey Drogin. It was bad enough that last year I had to put up with a King Charles Cavalier Spaniel named Dylan for a week – before my father got an asthma attack and sent her packing. I thought that was the end of the newbies. After all, I’ve been here 9 years. Why would they want a high maintenance puppy to drive them insane when I’m so good?

But this weekend, in came a puppy named Bailey. She looks like me . . . sort of . . . when I was a puppy. She’s darker but she’ll lose her dark coloring and end up just like me. I wanted to hate her. I planned on ignoring her the way I ignored Dylan until they took her away.

But something funny happened and it happened quickly. Maybe it was because she did look like me. Maybe it was because she tried hard to be my friend while the other dog just walked in and thought she owned the place. Maybe it was because my parents named her Bailey because it went good with my name – Buddy. Bailey and Buddy. Or maybe it’s because they said they brought her home to keep me happy and young at heart. But I like her.

It helps that she’s trouble with a capital T. A holy terror. The first night she screamed ALL NIGHT so much that my parents finally took pity on me and brought me into their bed to sleep. That’s a good thing. My sister Jackie says Bailey sounds like a Child of the Corn when she’s wailing. Whatever that means, but they all found it funny. Mom had to already buy new food/water bowls because she lifted hers up and dumped out her food and dragged the bowls around the kitchen. Mom had to clean it up. Jen says I have a shadow. She’s smaller but I’m still cuter.

Then there’s her eating habits. She’s a piglet. When she eats, she eats ALL over the place and leaves a trail across the kitchen. It got so bad Mom started to feed her in her crate. The first time she knocked her food all over. Then mom got the new bowl which was more weighted at the bottom and now she eats better. It’s better for me because they tried to lock me out of my own kitchen so I wouldn’t steal her food. Is it my fault she eats too slow?

But they bought me new food when I stopped eating mine last week (pre-puppy) because after 9 years, I got sick and tired of Fish and Potato food. Do you blame me? Venison and Sweet Potato is so much better. They also bought me new biscuits. Yum. And I get lots of attention now that the puppy is here. More than she gets. That’s a good thing, right?

So I have a new little sister. She has to go to puppy obedience training with mom. They said she has the same teacher I had and that made them happy because they think I’m such a good boy. The vet said I have a lot to teach the little runt. I’m important.

And that’s always a good thing. So what I discovered is that they got the puppy not because I’m not enough but because they love me so much, they wanted even more of me. Even if it means more work for them.

I’m a lucky boy. Woof!

Check us out playing!
- THIS IS VIDEO IF YOU CLICK!
View this montage created at One True Media
Bailey and Buddy

Would you ever consider getting a pet let alone a second? I highly recommend it!

The summer blockbuster!

Monday, May 7th, 2007
Leslie Icon

Anyone who visits this blog probably knows I’m a movie nut. (So are the other monkeys!) But I have to say I have a special fondness for the summer blockbuster.
So, yes, I (and my family) helped contributed to the $148 million triumph that was Spiderman 3.

We all liked it a lot. Tobey Maguire is one of those guys I just can’t figure out. He looks so boyish and geeky and…nondescript sometimes. Including as Peter Parker. Then he puts on that suit and WHOA. The black Spidey suit was especially hot. I liked the special effects in this one (and I am usually NOT a big fan of CGI graphics.) But the sandman stuff was way cool. And the ending of this one really took me by surprise. So, a thumbs up on Spiderman 3.

This summer promises to be an especially expensive one. We’re already making plans to go see Shrek 3 in 2 weekends, and Pirates 3 the weekend after that. We’ve penciled in the new Harry Potter, The Transformers, Fantastic 4 part 2, and others.

There’s just something about going to see the big movie when the rest of the world is first seeing it, too. I don’t want to hear people talking about a movie I’m dying to see…I want to be the one talking about it!

I remember when Titanic came out, we not only went on opening day, we checked my older daughter out of school early that day so she could come with us! (She was in elementary school!)

Ditto with all the Harry Potter movies and the Lord of the Rings movies. My kids probably should have had another designation on their “excused absence” slips: summer blockbuster day!

But it goes back further. Not quite to what is generally credited as the very first summer blockbuster…that was Jaws. And I was not allowed to see it. (It has since become one of my very favorite movies.)

But I definitely remember seeing some major movies on opening weekend.

I was not a Star Wars manic like Julie…in fact, I didn’t even get to go see the movie until the summer after it came out. (My Dad finally took me and my brother…he wasn’t (isn’t) much of a sci fi fan.)

But I did go to see Empire Strikes Back and Return of the Jedi within a couple of days of their opening.

I stumbled onto Raiders of the Lost Ark and had to go see the sequels the moment they came out. (2nd one…blech….3rd one…YAY!) Was drooling and rabid to see Terminator 2 and Aliens! I think I’m seeing a theme—the sequels are the ones that suck me in!

But there were a few originals that grabbed me, too…like Independence Day. And Jurassic Park! (Loved the book so I was just dying to see the movie, which was quite different but also very satisfying.)

Funny, the blockbusters that I saw right when they opened are among my “must stop” movies. Does anyone else do this? I can have a DVD or a VHS of a movie I like sitting right on my shelf…yet if I’m flipping channels and I stumble across one of them, I will STILL stop and watch it! Commercials and all! I’m like this particularly about Jaws, Raiders, Independence Day, Day After Tomorrow, National Treasure, Signs, Alien(s), and more.

So what about you? Anybody else really excited about the upcoming summer blockbusters? What are you looking forward to…and what are your “must stop’s?”

Sunday Winner & Ooohs and Aaaahs

Sunday, May 6th, 2007
Leslie Icon

The winner for this week’s Welcome Spring Jungle Madness Friday contest is…

Stephanie S…Message # 59!!

Congratulations Stephanie!! Please drop me a note with your snail mail address and let me know which book from my backlist you’d like. My email addy is: author @ lesliekelly.com (no spaces)

Now…here’s a little something for you to so AWWWWWW over. These are the bunnies living right in the middle of our back yard! Mama bunny picked an odd, unsheltered spot for her nest.

There are SIX little sweeties crammed in there together…

Saturday Chit-Chat (Plotting With Your Pants On, Part Two)

Saturday, May 5th, 2007
Julie Icon

Last week, I talked a little bit about the difference between being a plotter or flying into the mist, ie, a panster. I admonished writers, particularly newbie ones, not to be so quick to label themselves and also, to realize that one way is not better than the other. I also told you that myself, I’m a switch-hitter. I do whichever one I need in order to finish a book.

That said, here are a few more opinions of mine on the matter.

Plot is a book’s structure. A genre book cannot be successful without structure. How you build that structure is entirely up to you, but I’d say it’s a pretty good bet that your book has a beginning, a middle, a black moment (or moment of high drama) and an ending. Or at least, it should.

Beyond those basics, is there more?

I think there is.

Let me say a little something about rules and structure. I believe that if you intend to break rules or defy structure, you first have to understand what the rules are and why they are there–and the same for structure. Walt Whitman, who invented free verse poetry, first knew the dictates of iambic pentameter. He knew what he was doing in throwing away the structure. He didn’t do it willy-nilly or because he was too lazy to count the syllables and accents of the words he used.

I believe the same attitude should be taken toward plotting–if you don’t want to do it, fine…but learn what it is first so you can toss off the mantle and be a pantster without having a book that has no structure because you didn’t know where to put it. There are different ways of structuring a plotline. One way is Discovering the Story Magic developed by Robin Perini and Laura Baker. For now, there is no book outlining this method, but if you ever get a chance to hear Perini and Baker speak, do it. They’re fab.

For me, while I’ve used elements of Story Magic before, particularly when I revised DIRTY LITTLE LIES, I rely mostly on the screenwriting method developed by screenwriting guru, Syd Field. (By the way, I ran across this item from the Orange County Chapter of RWA (Janelle’s chapter). Seems Mary Castillo, a wonderful writer and amazing woman all around, is teaching an online course on this structure in just a few weeks. I highly recommend that any aspiring writer who is unfamiliar with this device take the course. It’s only $30 and knowing Mary, it will be money well spent. [end commercial here, LOL]). So that’s what I’m going to talk about here today.

The method I’m talking about is Syd Field’s screenplay paradigm

Here’s a screen shot of Mr. Field’s worksheet:

Basically, according to Field, a screenplay has three acts, each definable in terms of minutes, which translate to pages of a screenplay. Pages 1-30 are Act One, 30-90 is Act Two and 90-120 is Act Three, resulting in a two hour film. When adapted to a novel, the pages are broken up into the same three acts…the set-up, the confrontation and the resolution. The confrontation (Act Two) is actually halved so that it has a midpoint down the middle.

The example in the screenshot above shows how at each interval, a major event in the plot turns the storyline in a new direction. He has the Shawshank Redemption as his example…a very character-driven film, so it makes perfect sense that the “plot points” relate to the character of Andy and secondary character, Red. I think it’s important to point out here that plot points can be entirely character driven, as you’ll see when I give you a sneak peek at the plotting board for my upcoming paranormal.

The first plot point is where Andy asks Red for the hammer. If you haven’t seen the film, prior to this point, Andy, the protagonist, is aloof and separated from the other inmates at Shawshank. He’s not connected to anyone, being wrongly convicted in the murder of his cheating wife. When he asks Red, the go-to guy at the prison, for the hammer, these two men connect for the first time, forming a friendship that is key to the rest of the story. While Andy is the protagonist, Red is the narrator and therefore, key to the tale.

At the midpoint, Andy plays an opera aria over the prison intercom system. If you’ve seen the film many times, as I have, you might be surprised by this as a turning point because it’s so low key. I had to think about why it was so important, but then I realized, it’s an act of rebellion that is surprising from Andy, who seems very intent on keeping his head down and staying out of trouble and out of the infirmary for getting the crap kicked out of him by either the guards or the other inmates. This also shows us that Andy is a renaissance man, educated and cultured. It’s all about character here, but it does turn the plot.

The final turning point is when Andy escapes. This is action, not character, except that the lengths Andy went to in order to ensure his early release from Shawshank are amazing. The rest of the film is about Red and his coming to terms with his parole and eventually, the action of him reuniting with Andy at the end.

There are a lot of exciting, riveting moments that are not highlighted here…particularly the scene where the only man with information that could free Andy from prison is brutally murdered. This is action and it’s a gut-wrenching moment that turns the plot on a dime…but ultimately, it doesn’t matter. Andy would have escaped anyway…he asked for that hammer early on, and it is the hammer that he uses to escape. This moment simply makes him act. I wonder if he didn’t have that tunnel dug years before he actually uses it.

Okay…now that you’re all going to rent Shawshank to see how this works, I’ll go on and tell you how I’ve adapted this to work for novels.

This is my plotting board (you can click on the picture to make it larger, then use your BACK key to return to the blog post

I use a full size science project board and divide it into four rows. The first row is the SET UP. The second and third rows are the CONFRONTATION and the fourth row is the RESOLUTION.

Now hold your breath…this is where math becomes involved.

I had to decide how many pages I needed for this book, as that determines how many chapters I need. First, I wrote the proposal, which was about 50 pages. From this, I determined the average number of words per page that I was putting out. I had 47 pages precisely and 9542 words. This averages to 203 words per page. Since I’m contracted for 90,000 words, I figured I needed 440 pages, approximately, to meet word count for the book. I like this number, because it is divisible by 4! Each act is 110 pages! Yeah!

I also realized that my chapters are running a little short lately…around 14 pages. If you divide 110 by 8, you get 13.5, which is darned close. So, I decided on 8 chapters per row. That’s how I figured out how to make the lines and separations.

This also tells me that my plot points are going to come in chapter 8 (first plot point), chapter 16 (midpoint) and chapter 24 (third plot point leading to the resolution). Those are the hot pink post-its you see on the board.

A little more about the post-its, which is adapted from a workshop by Roxanne St. Claire, who has guest blogged here and I believe she borrowed this idea from Baker/Perini…my mind’s a little fuzzy. I just know I went to both workshops, LOL! Anyway, my method is to buy lots of post-its in lots of colors. I’ve used them different ways for different books, but on this book, the pale pink is for scenes from my heroine’s point of view. The light blue, my hero. The light purple, the secondary male character and the secondary female character got green. The yellow is for my villains. I have three, two who are working together so they both get light yellow and the bright yellow is for my third villain.

Colorful, eh?

There are other post its, you’ll notice. The orange, smaller ones in the corner are for pages. I like to keep track of how long my chapters are. I don’t want them to be too long as it affects the pacing I want for this story. If the post it is in pencil, it’s projected page count. If in red pen, it’s actual. That’s how I keep track of what chapters are done because for this book, I’ve written out of order, something I’ve not done before. (Must adapt for each story!)

The bright pink small squares are for major points–either information that is revealed or plot points or, timeline. I suck at timelines and since this book has two separate storylines that will diverge at the third plot point, I had to keep it all straight. Wasn’t easy, either.

Point is, every author can adapt this method to the way it works best for them.

I think that’s enough information for one Saturday, don’t you? I’m in Chicago, so please ask questions, though I may not get to answer them until Monday. BUT I WILL ANSWER, so please come back!


Next week, I’ll show you how I’ve adapted this method to the PANTSTER in me (you’ll notice there are no post it notes in the resolution section ,) so that if you are not a “plotter” per se, you can still use this method to see where you are going…or even better, where you’ve been.

Leslie’s Jungle Madness Friday!

Friday, May 4th, 2007
Leslie Icon

“Tra la, it’s May, the lusty month of May, that lovely month when everyone goes blissfully astray, tra la, it’s here, that shocking time of year, when tons of wicked little thoughts merrily appear!”
(Brownie points if you can name the musical…and a backlist book to the first one who can name the actress who sang it in the original Broadway version!)

Okay, ’nuff about my Broadway fixation. To get to the point:

Spring has arrived! Not just on the calendar, but in the air and in the garden.

The days are warm and long. The skies are clear and blue. There’s a nest of adorable baby bunnies living right in the back yard and every day we go out and peek at the babies, cooing, ooing and aahing. And everywhere I look are the beautiful flowers I remember from this area, that I have so missed in the 15 years in Florida.

So to celebrate spring and flowers and cwuuute fuzzy widdle bunnies!!!!–here’s a lovely “welcome spring” gift.

These beautiful irises come boxed, not vased, and they’ll be shipped directly to you.

And in honor of bunnies (and because I’m one twisted woman) a copy of:

Flowers…bunnies…love…Must be spring!

PS: I’ll throw in a backlist book to the winner, too!

You know the deal, just leave a comment–it’s as simple as delurking and saying Happy Spring–and you’re entered!

(Note: Due to the flower shipment, winner must be in the U.S. only.)

Happy Spring everyone!

An Exclusive Plotmonkey Excerpt!

Thursday, May 3rd, 2007
Janelle Icon

As the saying goes, business before pleasure. Before we get to the exclusive Plotmonkey excerpt for my story in the BAD BOYS WITH RED ROSES anthology, which is out in bookstores now, there are a few announcements I’d like to make.

1) I just received confirmation that the fabulously talented CINDY GERARD, author of the Bodyguard Series, will be a guest here at Plotmonkeys on Thursday, May 17th. Whoo-hoo! I’m so excited – she’s one of my all time favorite authors!

2) As you learned with last week’s blog, I’m trying to embrace “change”. With that in mind, I ventured into the world of MySpace. If you’re on MySpace and you’d like to be my friend (like Jodi has! ) you can find my site here: Janelle’s MySpace

3) Bid on Lunch with the PLOTMONKEYS at RWA National in Dallas this summer (minus Leslie who can’t make it to Dallas) July 11-14th at a mutually agreeable time and help Juvenile Diabetes at the same time! Visit author Brenda Novak’s annual Juvenile Diabetes Auction for details and to bid! Check out auction here!

And now, as promised, an exclusive (and sexy!) excerpt for STILL MR. & MRS, my novella in the BAD BOYS WITH RED ROSES anthology. You won’t read this excerpt anywhere but here, so enjoy!

Just to give you all a quick background of the story leading to this scene, after eight years apart, Luke has just discovered from Rachel that their marriage was never annulled, as it was supposed to be. Rachel has returned to put an end to their past and dissolve their marriage, but Luke has other plans in mind – like finally getting the honeymoon he’d been denied eight years earlier.

STILL MR. & MRS. (Out in bookstores now!)

“So, what do we do now?” Luke asked. Being a lawyer, Rachel no doubt knew exactly what had to be done. She wouldn’t have traveled all the way to Las Vegas without some kind of plan in mind.

She didn’t disappoint him. “Well, the original annulment documents have obviously expired, so I had a divorce attorney in the law firm where I work draw up new ones before I came.”

She walked across the room to the leather attache on the dresser and withdrew a sheaf of papers. Then she returned to where he was sitting and set the documents on the table in front of him. He didn’t bother looking at them, and instead kept his gaze locked on hers.

She drew a breath that made her full breasts rise and fall too enticingly beneath the tank top she was wearing. “I just need you to sign the papers where indicated, and I’ll take them back to New York with me,” she said, sounding professional and efficient. “I’ll also make sure they get filed with the courts this time. After that, the dissolution of our marriage will be official, and I’ll be sure to send you a copy for your records.”

Jesus. The whole process sounded no less cold and final than it had eight years ago, when Randall Hudson had issued the same ultimatum. Except this time he wasn’t being bribed by her unfeeling, calculating father, or being served with a restraining order to stay away from this woman who was, ironically, still his wife. Instead, she was the one soliciting his assent and cooperation.

As he continued to stare at her, saying nothing, he caught the faintest hint of vulnerability flickering in her gaze. It was a quick, unguarded moment that told him that maybe this wasn’t so easy for her after all. That possibly this direct, business-like facade of hers was all for show, to keep her true feelings about him and the situation out of the equation.

Then she dampened her bottom lip with her tongue, and he knew without a doubt that he’d pegged her behavior accurately. Pure male instinct prompted his gaze to drop to her mouth, so soft and pink and glistening, tempting him like nothing had in a very long time. He thought about kissing her, tasting her again, and his groin tightened in reaction.

In that moment, he realized he wasn’t ready to sign those damn papers and let her walk out on him twice. Not without taking something for himself in exchange for his John Hancock on those documents. Like that kiss he’d just imagined. Or something far more pleasurable. And if he was extremely lucky, once he had Rachel Hudson again there would be absolutely nothing left between them and he could finally get on with his life and have a normal relationship with a woman again.

That was his grand plan, anyway, because nothing else in the past eight years had worked to banish her from his mind. “If you want that annulment, I have a deal to offer you,” he said.

His unexpected reply took her aback. “Excuse me?”

Smiling, he reclined casually in his chair, knowing that he was going to shock her even more before they were through. “I noticed last night that you were very lucky at the blackjack table.”

Her shoulders lifted in a slight shrug. “I did okay.”

He inclined his head and tapped his finger on the deck of cards. “Are you feeling lucky now, Rachel?”

She glanced from the cards, to him, her expression cautious and uncertain. “Why does it matter?”

“Because I’m proposing one hand of blackjack between the two of us,” he said, knowing the exasperation etching her features was about to be replaced with one of two things — either indignation or interest. He was hoping for the latter. “If you win, I’ll sign the documents, right here and now. But if you lose . . . you give me a kiss.”

Nervous laughter bubbled up from her throat, but she didn’t appear completely adverse to his suggestion. “You’ve got to be kidding.”

He arched a brow in challenge, while fully enjoying the fluster of pink tinging her cheeks. “What’s the matter, sweetheart? Afraid you’ll lose?” he taunted softly.

She could have easily told him she wasn’t interested in playing games with him — that her only concern was having him sign the documents so she could be on her way, and that would have been the end to Luke’s attempt to seduce her. Instead, he watched in fascination as Rachel’s posture straightened, and that cute chin of hers lifted in a show of rebellion so unlike the girl he once knew.

“Of course I’m not afraid I’ll lose.” She promptly sat across from him at the table and reached for the deck of cards, all outward confidence and bravado. “But I’ll shuffle and deal.”

Luke laughed, deciding he liked this bold and feisty side to her personality. And her daring. “Fair enough.”

A few minutes later, after she’d made sure the cards had been sufficiently mixed-up, she dealt them each the first card, face down, then the second card face up. She’d served him a five, and herself a king of spades. As a general rule, he had to assume there was another ten card beneath her king, which sucked for him because his face down card, a nine, gave him a total score of fourteen.

He cursed silently. The odds certainly weren’t in his favor. Chances were he was going to bust if he drew another card, and he’d probably lose to her possible twenty points if he didn’t. A goddamn catch-22 situation that didn’t bode well for him.

“Hit me again,” he said, and felt his heart literally jump in his chest when she presented him with a seven, bringing his total to a cool twenty-one. Now that was luck at its finest.

Calmly, and without giving anything away, he said, “I’ll stay.”

“Alright.” She exhaled a low stream of breath and flipped over her face down card, revealing a two, not the ten Luke had anticipated. “Twelve,” she said on a groan, while he grinned.

She was the recipient of one of the worst hands a blackjack player could possess. She also knew, judging by his face up cards, that he had more than twelve, which forced her to take another card. She dealt herself a queen, and went bust. He revealed his own cards, and the twenty-one he’d scored.

He couldn’t help but revel in his victory, and what he’d ultimately won. “C’mere, Rachel,” he murmured, and crooked his finger at her. “I want you on my lap.”

Standing, she rounded the table to where he was sitting, ready and willing to pay her debt. Except as she tentatively perched her soft bottom on his thighs and he rested one hand on her knee and the other at her waist, he realized she was way too stiff and tense for his liking.

Leaning forward, he gently nuzzled her neck and inhaled the intoxicating floral fragrance clinging to her damp hair and satiny skin, striving to put her at ease before he kissed her the way he was aching to. He felt a shiver course through her, heard her breath catch oh-so-sweetly, but she remained rigid and unyielding.

He pulled back and met her too bright gaze. “Relax, Rachel. I’m going to kiss you, not bite you.” He stroked his flattened palm down her back in a slow, soothing caress meant to chase away her anxiety. “Or has it been that long since you’ve kissed a man?” he teased.

“Don’t analyze the situation or me, Luke,” she said, a bit too indignantly. “Just do it and get it over with.”

He held back his amusement, guessing that he’d hit too close to the truth considering she’d admitted that she hadn’t had much time for dating. And yes, she was nervous, but not in a bad, negative way. She was uncertain, maybe a little fearful of unleashing the desire still simmering between them and where it all might lead.

They were both about to find out.

Sliding his hand beneath the damp fall of her hair, he cupped the back of her head in his palm and brought her mouth down to his. Her lashes fluttered closed, and the first touch of her soft, warm lips against his was a sweet, sensual awakening that took him back to the very first time he’d kissed her.

That same rush of lust and tenderness assaulted him, heating his blood and firing his need to deepen the contact and claim her completely. He wanted to devour her, possess her. He bit her bottom lip gently, and tugged on the flesh seductively with his teeth. When her mouth parted on a soft surrendering moan, he accepted the invitation and slid his tongue inside and touched hers, igniting a carnal hunger that made him burn for her.

The eight long years that had separated them melted away, and as he gave into the familiar heat and desire that only this woman had ever elicited from him, it was as though they’d never been apart. When he skimmed his thumb along her jaw and deepened the kiss even more, she turned toward him more fully, causing her hip to nestle against the stiff erection straining along the zipper of his slacks, and one of her soft, plump breasts to graze his chest. The sensation, even fully clothed, was electric and exciting.

She must have felt it too, because she shifted restlessly on his lap and pressed her cool palm to his cheek. The touch was intimate, as was the way she made those sexy little sounds in the back of her throat that told him just how aroused she was. He remembered her body language well, and how eloquently she could speak without saying a word at all when it came to her sexual yearnings. He knew what she wanted, and he didn’t hesitate to give it to her.

With his mouth still hot on hers, he lifted his hand from her knee, slipped it beneath the hem of her top, and grazed his fingers along the soft, warm skin of her abdomen, then higher, until he reached the voluptuous curve of her breast. Then he cradled all that glorious fullness in his palm, and his mind spun with the sheer pleasure of having her in his hand. Her bra was silky and sheer, without padding, enabling him to feel her hard nipple, as well as strum that tightly puckered tip with his thumb. He took his time relearning her size, her shape, and how beautifully her figure had changed since her teenage years.

She was all sensual, responsive woman now, and not nearly as demure and modest as she’d once been about her body’s reaction to his caresses. Neither was she hesitant about the way he kneaded and stroked her breast, and how his tongue mated with hers in a deep, erotic French kiss.

The attraction and passion was still there between them, so tangible and real. The smoldering heat. The undeniable chemistry. And a physical need that burned brighter and hotter than before.

He groaned against her mouth, low and rough. God, he wanted her naked, so he could see her bared breasts and taste her pert, velvet-tipped nipples. He wanted to look his fill of her feminine curves and trace every dip and swell with his hands and mouth. And then, when he finally had them both on the razor sharp edge of need, he’d lay her on the bed so he could feel her slender thighs wrap around his hips, her body open and accepting as he pushed deep, deep inside of her soft heat for a nice, long, slow ride. And maybe then he’d finally be able to get her out of his mind. His blood. His heart.

A kiss had only whet his appetite for more, and he knew that letting her walk out of his life again wasn’t an option. At least not yet. Because it was very apparent to him that he needed to shake Rachel Hudson from his system, and he could think of only one way to do it.

Reluctantly releasing her breast, he slid his hand out from under her top and ended the kiss. They were both breathing hard, and she looked stunned by the intensity of their encounter. Her lips were wet and swollen, her lashes heavy-lidded, and her eyes dark with unsated passion.

“How about best two out of three?” he asked huskily.

Still caught up in the seductive spell of their embrace, vibrant desire sparked in her gaze. “For another kiss?”

Her interest was palpable, which definitely worked in his favor. “No, to spend the weekend with me.” He paused for a moment, and just in case she had any doubts about what he was proposing, he made his intentions clear. “Intimately, Rachel. Two more days of anything goes pleasure, and in return my signature on those annulment papers is all yours.”

Of course, you’ll have to get the book to read the rest of the story and see what happens!

What I see first every morning…

Wednesday, May 2nd, 2007
Julie Icon

This is a screenshot of my home page from Monday (click to enlarge, then hit the back button):

Is it any wonder that I’m going nuts?

Despite my note-taking, post-it note obsession while plotting, I’m not a list maker. I make the list…and then I lose the list. Or, as I do in the case of my home page, I ignore the list. It’s very easy since front and center on my homepage, which I hit several times a day, is the countdown to my deadline. For some odd reason (insert sarcasm here) nothing else seems to matter but that number. 10 days. Only today, it’s 8 because it’s Wednesday. And on Friday, we leave for Chicago. What was I thinking?? Oh, yeah, I was thinking about tulips on every street corner, popcorn from Garrett’s, a free hotel room across the street from Grant Park (courtesy of my husband’s company) and a trip to Crate and Barrel to start furnishing my someday-new kitchen.

(Insert screaming here)

So, are you a listmaker? Do you forget things if they’re not written down or are you naturally hard-wired to do what truly needs to be done, leaving the rest for when it becomes ‘truly needs to be done’?

I operate on an as-needed basis…which drives my listmaking husband insane. He was so impressed when I added the to-do list to my home page…little did he know I can’t totally see it until after that deadline number goes away…and the book is actually done.

So back to work I go!