As you all probably know, Carly, Janelle, Julie and I are going away later this week for our plotting retreat. Can’t wait to see you guys! 
I thought you all might like a glimpse at our process. And I’d like to ask for your input as readers…so you can be “honorary Plotmonkeys” today.
Basically, when we go away, we carve out pockets of time, usually in 2 hour increments, and divide them among us. We all get to plot a minimum of 2 projects, and if there’s extra time we’ll do general brainstorming, career planning, etc. Janelle has this nifty little recorder that can be loaded right onto our hard drives, so we can go home with an audio recording of our entire session. (They come in very handy months later when we’re actually writing the books we talked about!)
This is all very casual and flexible. And I mean casual. We always stay in very nice, exclusive hotels where we can get pampered…(except last year, the year of the rats.) Usually, we work in sweats or pj’s. We get room service for most meals. We laugh a whooooole lot. Julie sometimes gets sent to the bathroom for a time-out. It’s a total blast. Sometimes we work on books we’ve already started, sometimes we’re just throwing ideas around so whoever is “on the hot seat” can come up with a workable synopsis. Sometimes we start by reading whatever the writer has jotted down so far about the book, sometimes it’s strictly verbal.
See? Flexible.
Right now, I am trying to decide what I want my monkey pals to help me with. I know I’m going to ask them to help me figure out the logistics of my “Take 5” Blaze, which will be coming out next October or November (depending on how fast I can write the thing!) It’ll be a challenge, since I’ll be writing five connected, mini-romances, all in one book.
Beyond that, though, I’m a blank page. I have nothing else contracted, nothing else promised. I had hoped I’d be preparing to write the third Trouble book…but my publisher doesn’t want it. (That’s one thing I was talking about Saturday when I mentioned how demoralizing this business can be. Like many other midlist authors with wonderful, supportive fans but not enough #’s, I got dumped.)
I am absolutely at a crossroads in my career and this plotting retreat is (hopefully) going to help me figure out which way to go. Part of me wants to write the last Trouble book for my own enjoyment if for nothing else. It probably wouldn’t sell–I don’t know many publishers who’d take on the third book of a series the original publisher doesn’t even want. But I WANT to write the book. Especially because the 2nd Trouble book, SHE’S NO ANGEL, which comes out in July, is, hands-down, the best thing I have ever done. (Well, it’s not better than my children…but it’s the best thing I’ve written. My editor who’s been with me for nearly 30 books was the first to say it.)
But I have to earn a living…so while I would just love to write that whole book and try to sell it “on spec” I know I have to come up with something else for my agent to shop in order to try to get me a second publisher, something I’ve wanted for a long time. I have a very cute idea for another contemporary romantic comedy series starring a comic book character come to life, but I haven’t worked on it much yet. And a little voice in my head is asking me why I should bother. If my contemporary romantic comedy career is totally in the tank, maybe it’s time to shift gears altogether. (Funny, I just found out I was nominated for an RT Career Achievement Award in Series Love & Laughter. That was wonderful…though I haven’t been doing a lot of laughing lately. Sigh.)
I think I’ve mentioned here that I want to write thrillers…my first venture into that arena didn’t result in a sale, but it got a lot of very positive feedback. I think if I finished the entire book and marketed it outside the romance publishing world altogether–and put a man’s name on the manuscript–it would have a better shot. So there’s that.
Or maybe I could ease into a change of genre by sticking with romance, but going darker into romantic suspense. I have an idea for a trilogy about an FBI unit investigating internet-based crimes.
You see? A crossroads. More Trouble? A new romantic comedy concept–which could, if I decided to take it that way, have a paranormal element? Go back to the thriller that has been the book-of-my-heart for over a year? Explore the romantic suspense trilogy?
Which way do I go, what do I do? Each of these ideas is singing to me, but I don’t want to make another major misstep with my career.
So I’m asking you as readers…what do you think? Should I go after more Trouble, hoping the 2nd book does well enough that someone will want to snap up the third? Or shoot for the new comedy idea? And on that subject—are contemporary romantic comedies ever going to make a real comeback? (Or will dark vampire/werewolf paranormal EVER die? Good Lord, I am so over them.) What about the suspense–R.S. shows no signs of losing steam, and it would be a better stepping stone into straight thrillers.
Before you answer or offer any opinions, let me say, I absolutely have no intention of leaving romance altogether. I adore writing my Blazes and I think I’m valued enough by Harlequin that they’d like me to keep writing them. I fully intend to do that.
But I know after several years of writing the longer books, I won’t be satisfied by doing only the short category ones. I need to go further, to push boundaries, explore more intricate plots and characters.
I just don’t know whether those plots should revolve around bloody corpses or zany redheads. If those characters should be serial killers or sexy bombshells.
I would sincerely like to know…what do you think?
PS: A CLUE! Wanna know where we’re going for our retreat? Here’s a clue…Julie’s going to have to pack some sweaters. The high temperature for Friday is only predicted to be about 45 degrees!