Saturday Chit-Chat (October 21)
Saturday, October 21st, 2006Welcome to the Saturday Chit-Chat, where Plotmonkey readers just like you post a question for all four Plotmonkeys to answer! It’s a chance to get to know us and our books better. If you have a query, please send it to carly@carlyphillips.com!
This one is from Kelly Francis (who sent us a bunch of great questions…thanks, Kelly!)
I have read many of your novellas from all the authors. What I would like to know is how does the concept come up when you are working with two or more people?? Who chooses which author goes first and what characters to write about? And who decides which authors are writting together, you or your publishing companies?
CP: Sometimes the publisher comes up with the concept and asks you to participate - this happened to me in Naughty or Nice? to be reprinted next month with a new Jennifer Crusie and an old Lori Foster in a book called SANTA, BABY!. The concept can be as vague as “Christmas Novella”. Sometimes the authors come up with an idea and pitch it to the editor (Invitations to Seduction) and the editor says we need a lead author that has more clout - (I’m hoping one of the other monkeys wants to tell this story, LOL!) and then we work things out around the publisher’s wishes. I’ve been in various situations. I’ve chosen authors to work with (Janelle Denison and Jacquie D’Alessandro) and I’ve chosen storylines and I’ve been asked to do things and told what the story is and who I am working with. Sometimes the stories are connected, sometimes not. Novellas are unique experiences - each one is different.
JEL: Okay, I’ll tell it (but I warn you…it’s a long one!) Many moons ago, when Carly, Janelle and I were mere baby authors (and Leslie, I believe hadn’t yet sold…or we just didn’t know her yet!) we had an idea for a novella collection we called Invitations to Seduction. Way back when, convincing editors to give a novella collection to baby authors wasn’t an easy task…so we had to be creative. We flew to Arizona for a conference our editor (Brenda Chin) was attending and schemed to a) get her drunk and b) sell her on our idea. Now this isn’t as easy as it sounds because Brenda doesn’t drink. She does, however, love Sangria, so we used that as the bait. We lured her to my hotel room, drank, laughed (I laughed the most because I got drunker than the editor :wallbash
and pitched her our idea.
She loved the idea, but insisted we needed a big name author to lead the collection. And the problem arose that Harlequin never puts four authors in a collection, so one of us had to back out. I volunteered and in return, got a two-book Blaze contract to write “wrap around” books. My book, LOOKING FOR TROUBLE, introduced the series idea, the setting and some of the characters, which were picked up in the collection, INVITATIONS TO SEDUCTION, which now “starred” Vicki Lewis Thompson, who conveniently, was in Arizona, so we recruited her right away. Then my book UP TO NO GOOD finished out the series. Of course, before the collection came out, Carly was tapped by Kelly Ripa and had hit all the major lists…but none of us anticipated that…and of course, Vicki was chosen soon after!
I’ve done lots of novellas, too–with the one I did for NAL, I was invited. The stories were each independent of each other, so while I love Cherry Adair and Jill Shalvis, the extent of our working together was making sure we didn’t write stories that were too similiar, as well as meeting with our editor to help with the title and then banding together when the first version of the cover came out and scared all three of us. (We got a new one!) On my BOYS OF SUMMER collection with Leslie and Kimberly Raye, we worked very closely together…same with A FARE TO REMEMBER with Vicki and Kate Hoffman. Both of those had continuing storylines/secondary characters, so we all kept in touch. I’m doing the same right now on a novella collection with Rhonda Nelson and Mia Zachary…very close working together. I’ve been very lucky to work with some of the most fun, creative and cooperative women in the business!
LK: I’ve actually never sold a novella I’ve “pitched” it’s always been something i’ve been invited to do by my publisher. Usually, they look to pair up-and-coming authors with more established ones to try to help build the readership of the newer author, and I’ve been very fortunate to be involved in some really fun projects! (Like Behind The Red Doors with Vicki Lewis Thompson & Stephanie Bond, and That’s Amore with Janelle and Tori Carrington!) I also had a great time doing the in-line Blaze anthology with Julie and Kimberly Raye–I was kind of called in on that one last minute when a slot opened up. As for content, it really varies. Sometimes the publisher has a big “concept” and you just have to fit your story to it (like, in That’s Amore, the idea of “ethnic weddings.”
Or sometimes the stories tie more closely together–like in Behind The Red Doors when the three shops tied together, heroines knew each other and there was an overall story arc that took place through all three. (Boys Of Summer was like this also.) I like doing it both ways–loosely, by theme, but also with tighter connections, especially when I’m working with authors I really like and respect. Julie and I have worked together several times and have always had a ball. We’re doing it again next year on a Blaze miniseries…and Janelle and I are cooking up something a little fun with our September 07 releases, a sort of a “tip off the hat” to our regular readers. More on that next year… :P























