
Debut author Jill Sorenson, whose first book DANGEROUS TO TOUCH is being released by Silhouette Suspense this month lives in San Diego with her husband and two young daughters. Born in a small town in Kansas, she has never lost her fascination for Southern California culture, her appreciation for year-round sunshine, or her love for the Pacific Ocean.
Jill has always been a voracious reader, especially of romance. She picked up one of her mom’s Harlequins at age eleven and fell in love with the genre at first sight. After earning a degree in literature and a bilingual teaching credential from California State University, she decided teaching wasn’t her cup of tea. She started writing one day while her firstborn was taking a nap and hasn’t stopped since.
Please welcome Jill!
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Anatomy of a Love Scene
Thanks so much to the wonderful ladies at Plotmonkeys for having me as a guest today. I’m so excited to be here, discussing my favorite subject!
Being a debut author (my first book is in stores now), 
I can’t say I’m an expert on writing, but I’ve been reading romance for about twenty years. When I was eleven, Sweet Dreams owned me. At twelve, I discovered Silhouette Intimate Moments, in which the characters actually consummated the relationship! I was confused, exhilarated, and hooked. For life.
Love scenes are my favorite part of romance, and I think most authors agree they can be hard to nail (pun intended). What I enjoy as a reader, and struggle to achieve as a writer, is a high level of sensuality, lots of emotion, and a touch of realism.
I’ve tried to break down the key ingredients to a love scene and have included lots of examples. Feel free to share your thoughts or ask a question in the comments section below.
· Make It Emotional
First of all, love scenes are about emotion. Whether it’s a sweet kiss that fades to black in an inspirational or a hot threesome from an erotic romance, if the characters don’t care about each other, I don’t care about them. I’m not saying there’s anything wrong with meaningless sex, in real life or in fiction, but when I read a romance, I want tingly sensations in more than just my girl parts. I want to feel it in my heart and believe it in my head. Your characters don’t have to be in love the first time they fall into bed together, but if they aren’t headed that way, something important is missing.
· Make It Sensual
What’s sexier than the taste of a man’s skin, the feel of his muscles beneath your fingertips, or his unique masculine scent? Whether the heroine is turned on by the hero’s hot, sweaty bod, the way he kisses her, or even the smell of his deodorant (I like my husband’s Old Spice), love is about chemistry. And chemistry is about the five senses. With all that blood rushing south, it’s easy to forget that the largest sensory organ is the skin, and that the whisper of silk can be just as effective as a stroking hand.
Carly Phillips’ The Bachelor illustrates my point perfectly.
Who could forget the crocheted panties? Not only is it a striking visual, the way the lingerie is, um, utilized in the scene is unforgettable. As readers, we understand what the garment reveals and conceals, we can imagine how it would feel against our bodies, and we know how excited the hero is by the sight of the heroine wearing it. With a little scrap of fabric, Phillips adds texture to a sexy, richly layered scene.
· Make It Memorable
Sex in real life doesn’t always involve singing angels and fireworks. Even in a romance novel, your characters don’t have to feel the earth move every time. Some of the most memorable love scenes, in my opinion, happen when everything goes wrong. Take Jennie Crusie’s Faking It, for example.
True to the title, the heroine fakes it the first time she’s with the hero, and he knows! The second time they get together is only marginally better. When things finally go right for these two characters in bed, the scene is explosive. Crusie builds up the tension to a boiling point, not by withholding sex, but by withholding good sex.
· Make It Unusual
This sounds like the same point I just made, but it bears repeating. Perfect is boring. Simultaneous orgasm is unlikely. Well-endowed heroes are…never mind that. I have no problem with well-endowed heroes. Romance novels are full of clichés, and that’s fine by me. Give me a Regency rake, a Navy SEAL, or a kick-ass vampire slayer. But find a way to make them, and their bedroom antics, unique.
In Elizabeth Hoyt’s The Raven Prince, for example, the pair of lovers enjoy several decadent nights together in a brothel, sharing everything but a kiss on the lips. The lady hides her identity with a mask, and although he thinks her a stranger and refuses her this one intimacy, the scenes are far from cold.
Linda Howard, another one of my favorite authors, also knows how to change it up. In All the Queen’s Men, hero John Medina is a legendary CIA agent, a man with no identity and (seemingly) no vulnerabilities. During a deadly undercover mission, he and the heroine are almost caught snooping in an upstairs room. To cover, they jump into bed together and pretend to have sex. Only they don’t pretend. When the couple gets a chance to do it again, in more relaxed circumstances, he’s just as rushed.
He buried his head against her shoulder, shuddering with relief as if he couldn’t have borne another moment unconnected to her.
She smoothed her hands down his back, feeling the powerful muscles rippling under his skin. “There’s a concept I want to introduce you to,” she murmured. “It’s called foreplay.”
Ha! I love that line. A typical romantic hero always takes his time, but John Medina, the untouchable agent, loses control whenever he touches the heroine, and his lack of finesse is an endearing vulnerability.
· Keep It Real
We all know that in romance novels, men are never selfish, quick on the trigger, or inept. Virginal heroines are able to achieve multiple orgasms after a painless penetration. Birdies tweet and the heavens weep. It’s a wonderful, wonderful life.
But would you rather get real? Gritty realism isn’t appropriate for every book, author, or situation, but if you’re aiming for an edgier scenario, that’s your prerogative these days. And like I said, perfect can be boring.
I have to return to Linda Howard, because she does imperfection so well. In Kiss Me While I Sleep,
the heroine has been on a dark vendetta for several years, and it’s been a long while since she’s indulged in a physical relationship. Her first time with the hero, she has trouble “going with the moment.” When she’s finally ready for him, orgasm is elusive. The scene works especially well because the heroine’s world is full of danger, distrust, and intrigue. She suspects the hero is an undercover agent—and he is—so although she can’t resist him, she has trouble surrendering herself completely.
In Cover of Night, the hero and heroine are tucked into a nook in the side of a cliff, waiting for daylight before they begin to climb again. He’s been in love with her for several years and this may be his only chance to show her how he feels. They make love twice, and although he can’t finish the second time, it doesn’t seem to bother him. Her pleasure doesn’t just take precedence—it is the only consideration. I love Linda Howard for challenging the myth that sex is over when the man finds his release.
· Don’t Forget Your Characters
I can’t stress this point enough: characters are the most important ingredient in a love scene. Unique, well-developed characters don’t shed their personalities along with their clothes. Does your heroine break out into giggles at inappropriate moments? Does she have trouble letting go or is she wild and uninhibited? Is she an investment accountant who thinks numbers are sexy?
A love scene isn’t just a chance for two willing partners to get busy, it’s an opportunity to develop your characters. Here’s a great example from my favorite romance novel ever, Susan Elizabeth Phillips’s Dream a Little Dream.
One of the secondary characters, Ethan, is a small-town reverend with an eye for the ladies and an ear for rock-n-roll music. He’s taken a vow of celibacy, and honored it, but when his church secretary gets a sexy makeover, his strength is sorely tested:
He leaned forward and kissed her. A pity kiss. A healing kiss. All better.
And then something inexplicable happened. As he felt those soft lips move beneath his own, the world split open and music exploded in his head, not Handel choruses or Puccini operas, but the raw shriek of dirty, sweaty, throbbing, feel-her-up, toss-her-down, come-on, come-on, Come On Baaaaby! rock ‘n’ roll.
Ethan Bonner’s faith, and his love for rock music, is part of who he is as a man. These traits don’t disappear during this kiss—they magnify.
· I Could Go On Forever
But I won’t. I get so excited talking about love scenes! They’re my favorite part of romance, whether I’m reading or writing.
For further reading, I recommend Alison Kent’s The Complete Idiot’s Guide to Writing Erotic Romance.
Alison gives great advice for writing any kind of romance, and her insight into the genre is excellent. If I borrowed any of her words or ideas in this entry, it was inadvertent.
Questions for readers and writers:
What’s your favorite love scene? Which authors do you find edgy or innovative? Do you like realism in romance, or do you think it belongs in another genre?